- Out-of-Stock
LA ROSE DE L'INFANTE. COSTUME DE WORTH. GEORGES BARBIER. GAZETTE DU BON TON
Nº 8 GAZETTE DU BON TON. PLANCHE 42. 1924
The Gazette du Bon Ton, put out by the retailer of the same name, was considered the trendsetting magazine of the era. Founded by Lucien Vogel and targeting Paris's upper class, it ran from 1912-1925.
Product Details
Data sheet
- Year
- 1924
- Height
- 24,5
- Width
- 19
- Country
- Francia
- Printer
- Gazette du Bon Ton
- Conservation
- A
- Printing
- Hand coloured lithofraph
- Technique
- Pochoir
- Author
- BARBIER GEORGE
Description
George Barbier, né Georges Augustin Barbier, (1882–1932) was one of the great French illustrators of the early 20th century. Born in Nantes, France on 16 October 1882, Barbier was 29 years old when he mounted his first exhibition in 1911 and was subsequently swept to the forefront of his profession with commissions to design theatre and ballet costumes, to illustrate books, and to produce haute couture fashion illustrations. For the next 20 years Barbier led a group from the Ecole des Beaux Arts who were nicknamed by Vogue "The Knights of the Bracelet"—a tribute to their fashionable and flamboyant mannerisms and style of dress. Included in this élite circle were Bernard Boutet de Monvel and Pierre Brissaud (both of whom were Barbier's first cousins), Paul Iribe, Georges Lepape, and Charles Martin. During his career Barbier also turned his hand to jewellery, glass and wallpaper design, wrote essays and many articles for the prestigious Gazette du bon ton. In the mid-1920s he worked with Erté to design sets and costumes for the Folies Bergère and in 1929 he wrote the introduction for Erté's acclaimed exhibition and achieved mainstream popularity through his regular appearances in L'Illustration magazine. Barbier died in 1932 at the very pinnacle of his success. He is buried in Cemetery Miséricorde, Nantes.
Principio del formularioThe Gazette du Bon Ton, put out by the retailer of the same name, was considered the trendsetting magazine of the era. Founded by Lucien Vogel and targeting Paris's upper class, it ran from 1912-1925. Only ten colour plates were printed per issue, and artists vied for the prestige of illustrating the latest Parisian fashion and lifestyle trends. As these pochoirs attest, the high style and iconic femininity made the items featured in the pages "must have's" -- right down to the prayer statue on top of the chest of drawers!
This pochoir - created when single layers of color are added by hand to a lithograph using a stencil – shows.