SICULA OCEANICA S.A. EUROPA-VENEZUELA-C. AMERICA

Sicula Ocea nica S.p.A. /  Grimaldi SIOSA Line

The Grimaldi brothers (Fratelli Grimaldi) were nephews of Achille Lauro, the famous Naples shipowner (their mother was Achille's sister). They built up a fleet of cargo ships before World War II. Like Achille Lauro himself, they decided there was a post-war market for cheap emigrant and refugee ships, and acquired a number of elderly vessels, which received little upgrading. The New Zealand steamer Ruahine was purchased in January 1949 and after a refit placed in service between Italy and Central America as AURIGA. The AURIGA was followed by the CENTAURO (ex- City of Hong Kong) and LUCANIA (ex- Prince Robert).

The emigrant market eventually became more discerning as competition increased, and the first comfortable Grimaldi ships were the ASCANIA and IRPINIA (ex- SGTM ships Florida and Campana), acquired in 1955. Initial services were from Italy to Central America, but North Atlantic services were also operated later.
In 1956 they acquired the VENEZUELA, which had previously been the Compagnie Générale Transatlantique De Grasse, and later the Canadian Pacific Empress of Australia. Following rebuilding for their Italy-West Indies-Venezuela service, her passenger capacity increased from 664 to nearly 1500 passengers. The VENEZUELA was lost in 1962, off Cannes. She was replaced in 1965 by the CARIBIA, originally the Cosulich, later Italia Line Vulcania. She hit a rock in 1972, again off Cannes and was damaged and laid up at La Spezia.

Subsequently, Grimaldi operated the AUSONIA on cruises from 1983-96, and carried up to 55 passengers on various freighters around the world. 
One of the brothers then started Grandi Navi Veloci, which operate large cruise ferries in the Mediterranean.

CLASSIFICATION OF THE POSTERS ACCORDING TO THEIR CONSERVATION (in bold the one corresponding to this poster):

A+ Is a flawless example of a poster rarely seen in such fine condition.

A  Designates a poster in very fine condition. There may be some tears on the margins, but not noticeable. No paper loss. Colours are fresh and has no blemish.

A- There may be some slight fold marks, tear or other minor defect, but most unobtrusive. Successful restoration if restored.

B+ If some restoration it is not immediately evident.

B  Designates a poster in good condition. There may be some tears. Blemish or paper loss, but not in any crucial design area. Colours are fresh and the poster has a very good appearance.

B- Restoration may show some defects. Colours along the fold marks are faded.

C+ Restorations are visible.

C  Designates a poster in fair condition. Tears, blemish, fold marks and or paper loss are more pronounced or may slightly affect the image of the poster. Colours may be faded.

C- Requires restoration.