The first feature film by Pere Portabella was ascribed to the most risky experimentalism, vaguely following the principles of the so-called "school of Barcelona". It intends to interrelate the cinema with the avant-garde of the other arts, and in this sense the collaboration of characters such as the poet Brossa, the composer Mestres Quadreny and plastic artists such as Tàpies, Saura or Joan Ponç is significant. The result is as attractive as hermetic
NOCTURN. LUCIA BOSE / MARIO CABRE / PERE POSTABELLA. TAPIES / SAURA / BROSSA
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The first feature film by Pere Portabella was ascribed to the most risky experimentalism, vaguely following the principles of the so-called "school of Barcelona". It intends to interrelate the cinema with the avant-garde of the other arts, and in this sense the collaboration of characters such as the poet Brossa, the composer Mestres Quadreny and plastic artists such as Tàpies, Saura or Joan Ponç is significant. The result is as attractive as hermetic
Product Details
C-11705
Data sheet
- Year
- 1969
- Height
- 85
- Width
- 53
- Country
- Spain - Catalonia
- Conservation
- A
- Printing
- Offset lithographic
- Author
- VILADECANS Joan-Pere (Barcelona 1948)
Description
Título originalNocturno 29
Año1968
Duración87 min.
DirecciónPere Portabella
Guion joan Brossa, Pere Portabella
Música Josep Mª Mestres Quadreny
Fotografía Luís Cuadrado (B&W)
RepartoLuis Ciges, Lucía Bosé, Antonio Saura, Mario Cabré, Ramón JuliaProductora
Films 59
Género Drama | Cine experimentalSinopsis El primer largometraje de Pere Portabella se adscribió al experimentalismo más arriesgado, siguiendo vagamente los principios de la llamada "escuela de Barcelona". Pretende interrelacionar el cine con la vanguardia de las demás artes, y en este sentido resulta significativa la colaboración de personajes como el poeta Brossa, el compositor Mestres Quadreny y artistas plásticos como Tàpies, Saura o Joan Ponç. El resultado es tan atractivo como hermético
CLASSIFICATION OF THE POSTERS ACCORDING TO THEIR CONSERVATION (in bold the one corresponding to this poster):
A+ Is a flawless example of a poster rarely seen in such fine condition.
A Designates a poster in very fine condition. There may be some tears on the margins, but not noticeable. No paper loss. Colours are fresh and has no blemish.
A- There may be some slight fold marks, tear or other minor defect, but most unobtrusive. Successful restoration if restored.
B+ If some restoration it is not immediately evident.
B Designates a poster in good condition. There may be some tears. Blemish or paper loss, but not in any crucial design area. Colours are fresh and the poster has a very good appearance.
B- Restoration may show some defects. Colours along the fold marks are faded.
C+ Restorations are visible.
C Designates a poster in fair condition. Tears, blemish, fold marks and or paper loss are more pronounced or may slightly affect the image of the poster. Colours may be faded.
C- Requires restoration.